I’m Allison Hull, a Louisiana native whose work is rooted in both making art and supporting the people who make it. I earned my BFA in Art History and Studio Art with a focus on printmaking from Louisiana State University, and printmaking has remained a steady part of my life ever since.

I’m drawn to the physical, deliberate nature of the medium—the rhythm of working by hand, the patience it requires, and the way images are built slowly through process and repetition. Maintaining an active printmaking practice keeps me grounded in the realities of creative work and reminds me, daily, what it means to balance studio time with everything else that surrounds it.

My professional life in the arts began during college in the Archives Department of LSU’s Special Collections Library. After moving to New Orleans, I continued working as an archivist for nonprofit institutions including The Historic New Orleans Collection and Save Our Cemeteries, before moving into the fine art world through my work with the Edgar Degas Foundation.

In 2000, I moved to New York City, where I spent thirteen years working as a personal archivist, collections manager, and logistics specialist with artists, collectors, and institutions including Arman (Fernandez), Jean Pigozzi, Crozier Fine Arts, Absolut Vodka, Crozier Fine Arts, and Christie’s. These years shaped my understanding of how art is cared for, moved, exhibited, and collected—and how much unseen work supports creative practice.